Small clock in chased and gilt bronze with blue glass

France, Louis XVI period
Chased and gilt bronze, blue glass
Movement and dial signed “Roque A PARIS” and signature of the enameller “Barbezat 1776” (painter-enameller)

Similar examples

  • • An identical clock is preserved in the Pavlovsk Palace
  • • A very similar clock, of ivory, was made for Mesdames Victoire and Adélaïde at the château de Bellevue, and is now preserved in the château de Versailles

 

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France, Louis XVI period
Chased and gilt bronze, blue glass
Movement and dial signed “Roque A PARIS” and signature of the enameller “Barbezat 1776” (painter-enameller)

Similar examples

  • An identical clock is preserved in the Pavlovsk Palace
  • A very similar clock, of ivory, was made for Mesdames Victoire and Adélaïde at the château de Bellevue, and is now preserved in the château de Versailles

 

This clock rests on four small feet supporting a terrace in projection with rounded end sides.
A frieze runs on the front and sides, composed of foliage and berries in the spirit of a lotus leaf, around a rod, with intersecting ribbons in their centre. Above, the dial is highlighted by two semi-circular columns-pillars with open worked grooves on a blued glass background, applied on an embossed silver plate. The overall rests on a half-wreathed pedestal with a plinth and twisted laurels, where stands a rectangular compartment also on a blued glass background, from which comes out the case containing the movement and the enamelled dial, both signed “Roque A PARIS” and, on the back of the dial, “Barbezat 1776”.
The bezel, encircled by small pearls, is framed at the top by two triangular rosettes with berries in the centre, and at the bottom, by two crossed branches of laurel leaves and berries knotted in a ribboned ring ending with tassels of trimmings, the ensemble on a blue glass background. The frieze of the cornice is composed of alternating ova and water leaves, as well as a row of pearls. The upper terrace is topped by two leafy pinecones that flank a grooved doucine pedestal on which rests a two-handled grooved and gadrooned covered oblong vase crowned with a seed.

Joseph-Léonard Roque (deceased after 1789), Horloger du Roi

Famous watchmaker and mechanical engineer, Joseph-Léonard Roque was received “Maître horloger” in 1770 in Paris. Installed in the “Vieux Louvre” in the “bâtiment des colonnades” (before 1769), then “passage du Saumon” after 1772, he bore the title of “Horloger du Roi”.
Probably a student of the mechanical expert Alexis Magny (1712-after 1793), he then worked as an assistant to Claude-Siméon Passemant (1702-1769) until the death of the latter in 1769. Working with the best engineers, bronze-cutters and goldsmiths of his time, Joseph-Léonard Roque created true watchmaking masterpieces such as the movement of the clock that Passement made for the king of Golconde in 1749, a moving globe for the château de la Muette as well as the movement of the clock known as la création du monde by Passemant preserved in Versailles.

Bibliography

Pierre Arizzoli-Clémentel et Xavier Salmon, Marie-Antoinette, exhibition catalogue, Paris, Galeries nationales du Grand Palais, (15 mars – 30 juin 2008), Paris, Réunion des Musées nationaux, 2008, p. 111.
Jean-Dominique Augarde, Les ouvriers du temps : la pendule à Paris de Louis XIV à Napoléon Ier, Genève, Antiquorum, 1996, p. 251.
Pierre Kjellberg, Encyclopédie de la pendule française : du Moyen Age au XXe siècle, Paris, Édition de l’Amateur, 1997.
Tardy, La pendule française, des origines à nos jours, Tome 2, Paris, Tardy, 1981.
Tardy, Dictionnaire des Horlogers Français, Seconde Partie, Paris, Tardy, 1972, p. 572.

Good overall condition

Additional information

Weight 4 kg
Dimensions 11 × 18,5 × 29,5 cm